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Stream Boin Lecture 1 – DVD Online

February 26th, 2010
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Movie Title: Boin Lecture 1 – DVD
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Boin Lecture 1 – DVD is available for streaming or downloading.

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Awesome DVD!!! A MUST HAVE FOR ANY HENTAI FAN!! Expansive Boobs tons of intercourse, what more could you ask for, oh yeah Ample ARTWORK!! This is Definitely worth buying!! One guy three girls, oh yeah. NO Chunky Ancient GUY CHARACTERS!!

JUST THE FLAME OF YOUTH!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

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BE Obvious TO Select THE SECOND Piece ALSO, KEYWORD IS “APRON FETISH”!!
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Buy Emergency! – Season Four

February 24th, 2010
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Product: Emergency! – Season Four
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By its fourth season Emergency had really settled into a groove. The stories were piquant and action packed, and the writers and actors had the characters nailed. Distinct, Gage & DeSoto’s fellow firefighters were fairly one dimensional characters – but they were FUN one dimensional characters, and the focus of the demonstrate was really Gage, DeSoto, Dr. Brackett, Dr. Early, Nurse McCall, and Dr. Morton anyway.

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The realism presented on the prove by this point had become expected, and the technical jargon was actually fairly well known and understood by the fans. Emergency was a driving force unhurried the education of America on the procedures and perils of being a firefighter or paramedic, and it gave a seek into what doctors and nurses really did in a hospital.

The fact that Emergency was as successful as it was paved the intention for later TV shows like E.R. and movies like Backdraft.

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The previous DVD area (Season 3) was a hit or miss affair. Respectable episodes, some looking pleasant on the DVD, some objective OK, but several episodes had the gross theme song and opening credits. It was the same opening credit sequence feeble for the TV Land showings, which had always been a bone of contention with some fans (the unique theme song was one of the best in TV history, and to have it replaced was foolish) . Hopefully for this station Universal gets it accurate. (Update: Well, I’ve watched several episodes, and they all have the sinful opening theme.)

Even with the minor quibbles about past DVD sets, Emergency is a MUST HAVE TV reveal on DVD, and Season 4 is no different.

I am so enraged that they are going to release another season. I can’t win it on TV anymore and I so enjoyed it.

This note was before it’s time. I unbiased can’t wait. Unprejudiced three more seasons after this.
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Stream Satan in High-Heels Movie Online

February 22nd, 2010
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Movie Title: Satan in High-Heels
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Often with Something Weird’s releases, the extras easily overpower and overshadow the featured film. There is nothing snide with this, of course; I contemplate it adds to the fun. But Satan in High Heels offers a tall feature alnog with some dandy extras.

The feature is a dandy itsy-bitsy film noir, made in 1962. In terms of sheer explain it is strictly PG-rated stuff, but that doesn’t mean it’s not an exploitation delight. A woman, Stacy, rips off her creepy ex-junky husband and escapes her life as a carny burlesque dancer. She moves to Recent York and gets a job as a singer in a high-class but oddly seedy club speed by Pepe, a dominatrix-style woman with a perceive that can smash windows. Stacy wastes no time in seducing both the club’s owner and his shiftless son. Remarkable witty banter follows, as does the club’s “star” Sabrina (playing herself in a performance of such high camp it may be spoiled to shrimp animals), and the piano player (played by Del Tenney, director of “I Eat Your Skin”, also on SW dvd) . It all ends with a blow-out, leather-clad performance of “Deadlier Than the Male”, a song you’ll capture to your grave, and maybe… Kill!!! The film is quite pleasurable, the direction and the genuinely humorous writing well above average for an exploitation report of the era. The grievous budget does shine through (an poor lot of the film takes situation in the club), but it’s very well made and almost effortlessly challenging for lovers of witty sleaze and inappropriate (though not beyond sympathetic) women.

The extras are the usual greatness. First, we have the jaw-dropping “The Wild and the Naked”, which is very similar to “The Girl and the Geek”, also on SW dvd. A woman walks around a lot, gets naked for photos, dances, and is chased around in the buff a LOT by an assortment of characters. The film appears to be a string of almost totally random soundless footage spliced together with a hysterically poor narration tacked on to create sense of it all. The narration fails, of course, but the film is a riot. A classic adults-only film, only an hour long, from the early 60’s (so no frontal nudity you dirty dirty persons) .

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Other extras include two shorts. One is a film of a carny act bewitching a woman and a full-sized marionette doing a routine. It’s oddly unsettling. The other (”Latex She-Devils”) is astounding: an honest-to-god early 70’s S&M reel!!! Peruse as a cat burglar is abused by two latex-clad cuties! Wow. There are also trailers, and the usual gallery of art. Overall, it’s a colossal package for Something Odd fans!!!

This is the best of Something Weird’s rather disreputable DVD offerings of 60’s sleaze. A surprisingly well made and acted outrageous budget trash gem starring sterling actress (and mature cheesecake model) Meg Myles as voluptuous carnival dancer Stacy Kane. Stacy’s had it with shameful rent living so she rips off her junkie husband and goes to Recent York to peer fame and fortune. Well, fortune anyway. She lands a job at Pepe’s cabaret as a singer (yes, she CAN grunt) urge by “Pepe” (”Shaded Shadows”‘ Grayson Hall!) a wily lesbian with the gaze for Stacy. But Stacy can’t sustain her hands off men and/or their money. She gets a sugar daddy but soon finds herself dallying with his skinny young son causing the inevitable snowball to originate rolling downhill. Myles performs a torchy ballad in the audition for Pepe’s and later a leather clad dominatrix number that will knock your socks off called “Deadlier than the Male” . This routine alone is worth buying the DVD for. But wait! There’s more…a British blonde bombshell named Sabrina appears as a used “protege” of Pepe’s to do a couple of numbers at the club. She must have been a pin-up model in England or something because she’s an absolute eyeful. Her song numbers and costumes must be seen to be believed…period. Anyway, this is a apt cult film on any level and thankfully has survived to be enjoyed today. The ladies’ performances are catty and arch and the storyline and script unprejudiced trashy enough to be mammoth fun. The DVD report and sound are mammoth. Delight In this one. It’s a right collector’s item.
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Watch Buffy the Vampire Slayer – The Complete First Season Movie Online

February 19th, 2010
Watch Buffy the Vampire Slayer  - The Complete First Season Movie Online. Watch Buffy the Vampire Slayer – The Complete First Season Movie Online.

Movie Title: Buffy the Vampire Slayer – The Complete First Season
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Buffy the Vampire Slayer – The Complete First Season is available for streaming or downloading.

Click Here to Stream or Download Buffy the Vampire Slayer – The Complete First Season

For a first time screenwriter, Joss Whedon’s “Buffy the Vampire Slayer” was a wonderful disaster for a feature film. I notion for obvious the series was going to tank. When I started watching halfway through the first season, I mercurial found that I was wicked. “Buffy” simply blossoms on television. I’ve been crooked ever since.

For the first time, Whedon has provided us with all the terrors of high school (remember those? ) in a alarm genre setting. Not only that, but he provides a confident, chilly FEMALE character to trounce the unpleasant guys. Whether you’re a fan of the genre or a teenage feminist, Buffy (Sarah Michelle Gellar) provides a niche for the unpopular misfits in high school, but looks upon them as heroes. Were you as melancholy as Xander (Nicholas Brendon)? As geeky as Willow (Alyson Hannigan)? As speedy with an aphorism as Oz (Seth Green)? The series proves that high school is indeed survivable no matter who you are, even if you’re cliquish Cordelia (Charisma Carpenter) . And in the demolish, the more unpopular you were – possibly the more necessary you were to your teenage community.

Mix in your approved teacher (or librarian) played by Anthony Stewart Head (who should play “Doctor Who” after he’s done with “Buffy”) to be the requisite alarm genre British pseudo-scientist, and Buffy’s single mom (Kristine Sutherland) and you’re all situation to go with the most quick-witted sci-fi TV series possibly written for this age group. (The next closest thing being the vivid, yet non-sf “Freaks & Geeks”.)

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I’m not kidding. It’s extraordinary how speedy these characters grow in the first season and their responses remain factual to life despite the fabulous situations they’re thrown into. Creator Joss Whedon has become one of the most talented writer/directors working in the industry today, despite the fact that “Buffy” is most of what he’s been doing for the last five years.

As far as what you gain in this box residence, you’re in for a treat. This is the chunky first season, not impartial the half previously released on VHS; including the season finale “Prophecy Girl” – where we watch honest how audacious Buffy really is, despite her adolescence and anxiety of death. Also display throughout the series are teenage issues of emotional/sexual conflict (”Teacher’s Pet”) and problems with acceptance (”The Pack”) . Specific highlights also include Whedon’s commentary for the two allotment premiere as well as the first appearances of Angel (David Boreanaz) and Jenny Calendar (Robia LaMorte) .

Remember, Buffy’s not Impartial about vampires. In fact I mediate it’s valid to say that vampires are secondary to the emotional undercurrent of the exhibit, if not a particular episode’s location. Forget “Felicity” and shove off of “Dawson’s Creek”, this is the one for the adults.

Finally, the complete first season of Buffy the Vampire Slayer is available on DVD (rather than the boxed dwelling previously available that contained only half of the episodes) . While a puny uneven in quality compared to later, more polished seasons, the series’ trademark wit and pathos are in magnificent build in this position.

Buy,Download, Or Stream Buffy the Vampire Slayer – The Complete First Season! Click Here

The station begins with the two-part series premiere, “Welcome to the Hellmouth” and “The Harvest.” These episodes introduce Buffy, a sophomore in high school and the Slayer chosen to fight the forces of darkness; Willow, the timid technology-savvy redhead; Xander, the goofy regular guy who happens to have a serious crush on the Buffster; Cordelia, the shallow queen always ready with an acerbic comment; and Giles, the staid school librarian and Buffy’s watcher. Some indispensable secondary characters are also introduced, like Angel, Buffy’s future boyfriend, and Darla, Angel’s vampiric ex-flame. The storyline involves the plans of the Master, a vampire, to hurry his prison and wreak havoc at the same time that Buffy has objective transferred to a unique school (after being kicked out of her outmoded one for burning down the gym) . Naturally, she and her friends avert the catastrophe.

“The Witch” is a titanic episode, looking at both mother/daughter relationships and being pressured by parents to succeed. When the cheerleading squad meets various mystical “accidents,” one-by-one, Buffy has to investigate. The creep apparently leads to Amy Madison, a gawky girl turned second-string cheerleader. She’s though-provoking up the ranks as her competitors go down… One of the best episodes in the space.

“Teacher’s Pet” features Xander, as he and all the other guys go gaga for a unusual substitute teacher. But Buffy’s suspicious when she sees the teacher do a head-twist, Exorcist-style. Unfortunately, Xander’s already in her trap…

“Never Demolish a Boy on the First Date” is a more funny episode. Buffy tries to have a social life, but those pesky slaying commitments preserve getting in the method. She finally ends up dragging her date to the funeral home when they earn that an aged prophecy is coming to pass…

In “Angel,” the mysterious Angel’s secret is revealed: he’s a vampire! (As if it were a surprise to anyone.) But when Buffy thinks he’s fed on her mother, she has to earn a decision: can she bring herself to extinguish him?

The spotlight’s on Willow in “I Robot, You Jane.” When introspective Will starts an online romance, Buffy’s a slight petrified. But when it turns out that there’s a demon in the Internet – and that he’s Willow’s “boyfriend” – things pick up particularly hairy. This episode introduces computer teacher and technopagan Jenny Calendar, Giles’ sometimes girlfriend and a pivotal character in Season Two.

“The Puppet Demonstrate” is the series’ token creepy-ventriloquist’s-dummy episode. Giles has been drafted for the school talent reveal, but several of the participants have turned up rather plain. Buffy suspects one of the stranger kids’ ventriloquist dummy is slack the deaths. Though this episode is not the strongest of the season, an delightful and unexpected twist makes it serene eminently watchable.

In “The Pack,” Xander’s started to act silly – snarling at his friends and hanging out with the bullies. It all started when he entered the hyena cage at the zoo. But can Buffy figure it out before things derive out of hand and somebody gets…well, eaten?

“Nightmares” brings everyone’s worst nightmares to life. Buffy’s father tells her he doesn’t cherish her, while bookworm Giles forgets how to read. The Master seizes the opportunity to try to manufacture a crash for the outside world, and nearly succeeds. Worth it if for nothing but Cordelia’s awful hair day.

In “Out of Mind, Out of Behold,” an invisible girl is terrorizing Cordelia and her associates. She comes to Buffy for encourage, and Buffy gives it (albeit very reluctantly) . But when the attacks coincide with the crowning of Cordelia as the modern May Queen, problems arise – sizable surprise.

The area ends on a high price with “Prophecy Girl.” Giles finds a prophecy that predicts Buffy’s death at the hands of the Master. It deals very clearly with Buffy’s bleak realization of her gain mortality, and ends with a showstopping showdown between Buffy and the Master. Quite possibly the best episode in this dwelling.

I can’t recommend this boxed residence highly enough. Extras, like interviews with Joss Whedon (the creator) and David Boreanaz (Angel) round out the situation. A worthwhile assume both for Buffy fans and those wanting to gape what the fuss is all about.
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Download 2008 Olympics: Michael Phelps – Inside Story of the Beijing Games

February 17th, 2010
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Product: 2008 Olympics: Michael Phelps – Inside Story of the Beijing Games
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This movie showcases Michael Phelps’ achievements during the 2008 Olympic Games. The first half of the film shows the events he performed in. His events are followed by interviews and mini-segments aired during his competition(s) .

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Michael Phelps is accomplishing his goal of introducing and arresting many to swimming! He’s a improbable athlete who works to inspire a nation. This film places Mr. Phelps in the best light and serves to illustrate his dedication and hard work. While Michael Phelps had the tendency to be “at a loss for words,” his performances are driven by his competitiveness. Again, this film works to show the best of Michael Phelps during the 2008 Olympic Games and it serves to remind us all why he’s fleet become the best swimming athlete.

Overall, the pieces in this film have been taken directly from what audiences were shown during the Olympic Games with the exception of a few interviews. I would recommend this to any swimming/Michael Phelps fan out there!

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This DVD is exactly what I hoped for; I missed a lot of Phelps’ historic races during the summer 2008 Beijing Olympics, and this has all 8 gold medal races with the recent NBC footage and the call by Rowdy Gaines. There are interviews after each hurry with Bob Costas, Phelps, coach Bob Bowan & Rowdy Gaines where Phelps breaks down what was going on in his mind and in the pool during each rush. The breathtaking 4×100 freestyle relay (Jason Lezak’s near from unhurried to beat France) and the 100m Butterfly (Phelps’ 0.01 sec regain over Michael Cavic), the medal ceremonies, all the rest. This was the greatest U.S. Olympic moment since the 1980 hockey team secure over the USSR. Everyone American should see this extraordinary achievement of a lifetime.
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Stream The Rules of Attraction Online

February 17th, 2010
Stream The Rules of Attraction Online. Stream The Rules of Attraction Online.

Movie Title: The Rules of Attraction
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The Rules of Attraction is available for streaming or downloading.

Click Here to Stream or Download The Rules of Attraction

A well-thought out adaptation, well directed but for those who don’t want to collect tricked into buying a lesser DVD, an unrated version with a Bret Easton Ellis commentary, deleted scenes and extra teasers will be released a few months later. Check the director Roger Avary’s webiste avary.com for details on that. This DVD could be remarkable better and will be.

“The Rules of Attraction” is about rich kids, drugs, partying and a sight into college life. Since I’ve unfortunately known people unbiased like this, it definitely scored with me. From beginning to waste, this movie is captivating and I couldn’t pull myself away from it. Each scene is grand and its a rare film that doesn’t bore you. Its a very dismal comedy yet in many ways it hits on quite a few loyal issues. Sean is the main character, a drug dealing sociopathic character who falls for a virgin named Lauren who has a boyfriend named Victor. All the while Paul is in like with Sean. It sounds like a simple position, but in the hands of Roger Avary its compelling. The backwards scenes, the suicide scene, the parties and the character interaction is disturbing yet appealing. Of course, the book is better but that is generally the case. Level-headed, I liked this better than “American Psycho” for some reason. It fair seemed sadly valid to me.

My accepted scenes are outrageous Richard at the restaurant, Sean’s excuse to Lauren for sleeping with her friend, the guy going on a debauched slither across Europe and his strange face to face moment with Lauren and the hospital scene.

This is a movie that isn’t for everyone. Its a gloomy comedy, but its peopled with irregular characters and scenes that will quit with you long after. I loved it!
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Stream Secret Recipe Online

February 11th, 2010
Stream Secret Recipe Online. Stream Secret Recipe Online.

Movie Title: Secret Recipe
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Secret Recipe is available for streaming or downloading.

Click Here to Stream or Download Secret Recipe

Simply put, I bought this, brought it home, and spent the wee hours of the night smiling on the couch as the one and only Buckethead filled my living room with his unique brand of guitar-shred-funk-fusion-dementia. This dvd is a trip, from the wacked out menus to the oodles of content that cover his whole career so far…videos (Praxis!), discography (you think you have it all, but I assure you, you don’t), and a bonus dvd with 2 live shows (it doesn’t hurt that I can see myself in the Boston one, laughing like a goon as he hands out toys). There’s just tons of bucketgoodies hiding in here. This dude is just the whole package-Eddie Van Halen and Eddie Hazel all in one, mixed with Leatherface and The Shape. So rad. This dvd definitely had a lot of time and creativity put into it, so to anyone who doesn’t enjoy this for the perfect representation of the Bucketman that it is, you simply be missin’ the point. Might I suggest you stick to your Dream Theater/Satriani/G3 dvd’s, you 5.1 Surround sound obsessed prog-metal nerds…you don’t like chickens, get out the coop!

If you bought this DVD, well, you must have knew what to expect. BH is one strange mofo, and this DVD fits the bill. Your not getting a Oscar nominee DVD folks, its a collection of home videos, raw concert footage, and some interesting music. Its well produced considering what you see and hear. The extras are funny to us BH fans, yet the format to see everything on the DVD is weird, many extras you have to seek to get to. Maybe that’s what BH wanted, his fan-base is smart. If you like BH or play an instrument, doesn’t have to be guitar, get this DVD. If you expected a Star Wars production , don’t. BH loves old Giant Robot, and this DVD is put together like an old Japanese Sci Fi show. Even has sub-titles at moments with foreign footage.

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In the end, this is quite possibly the first DVD I ever saw, enjoyed, and when over, shook my head wondering what the hell I just saw

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Buy On Trial: Lee Harvey Oswald Blu-Ray

February 11th, 2010
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Product: On Trial: Lee Harvey Oswald
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The quote I ancient in the title of this review came from the lips of Mrs. Ruth Paine in 1986, and can be heard on this DVD. Mrs. Paine was one of the very few people in the world who knew Mr. and Mrs. Lee Harvey Oswald fairly well honest prior to November 22, 1963, which was the Friday when Lee Oswald took a gun to work and assassinated President John F. Kennedy.

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In July of 1986, Mrs. Paine was one of several people who travelled from America to London in order to participate in a TV “docu-trial” (”ON TRIAL: LEE HARVEY OSWALD”), a simulated courtroom trial produced by “London Weekend Television”.

The mock trial was 21 hours long, but approximately 75% of that filmed footage was left on the cutting-room floor, with the 21 hours’ worth of trial material being trimmed down to a diminutive more than 5 hours for its current two-part “Showtime” cable-TV broadcast on November 21 and 22, 1986.

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This 2-Disc DVD edition of “On Trial: Lee Harvey Oswald” contains the entire uncut docu-trial as it was originally aired in November 1986 by the Showtime network in the United States (5+ hours of programming) .

However, some portions of the fresh Showtime broadcast featuring host Edwin Newman and other commentators (such as Jack Anderson, Ramsey Clark, and Alan Dershowitz) have not been included on this DVD.

Very brief interview snippets with the two lead attorneys enthusiastic in the trial (Vincent Bugliosi and Gerry Spence) that were aired on TV in ‘86 have also been removed for this DVD presentation. But all of the in-the-courtroom footage from the unique ‘86 Showtime broadcast appears to be intact and included in this MPI Home Video version.

Footnote regarding running time — Each of the two DVDs in this plot has an unsuitable (too short) running time shown on it. Based on the printed information on the discs, the total urge time is only 4 hours and 8 minutes. But the total time for both DVDs is actually 5 hours and 7 minutes, which almost certainly represents the whole program as it first aired on Showtime (minus some of the wraparound segments with Edwin Newman, et al) .*

* = At least one subsequent airing of this docu-trial on a different U.S. network (in 1988), however, does enjoy additional courtroom footage that is not included in this Showtime/MPI version.

But it’s not entirely surprising that alternate versions of this lengthy program were produced, featuring different editing, given the fact that more than three-fourths of the filmed trial was edited out in the first dwelling (including the entire testimony of at least one behold, Jack Tatum) .

Another packaging error can be found on the attend screen of this MPI DVD, where we collect this absurdly-overstated blurb — “On Trial: Lee Harvey Oswald recalls all of the surviving witnesses…”.

But quite obviously, as of July 1986 (when the Oswald TV trial took residence), more than unprejudiced the 21 people who took the eye stand at this mock trial were composed among the living (as far as assassination-related witnesses are concerned) .

No witnesses were subpoenaed, however. The people who took the study stand at the mock trial did so voluntarily. They were not being forced to appear. So, that fact certainly must have miniature the length of the observe lists for both the defense and the prosecution to a expansive degree.

“On Trial: Lee Harvey Oswald” has the feel of a valid trial (although, of course, it isn’t, since the defendant in the case, Lee Harvey Oswald, was himself shot and killed by Dallas nightclub operator Jack Ruby impartial two days after President Kennedy was murdered) ….with a steady consider sitting on the bench in the London courtroom, 12 loyal Dallas jurors sitting in the jury box, 21 dependable sworn-in witnesses (connected in various ways to the JFK and/or J.D. Tippit slay cases) taking the search for stand to testify on behalf of either the prosecution or the defense, and two prominent U.S. trial attorneys presenting their cases in front of the jury — Vincent T. Bugliosi for the prosecution (representing the “U.S. Government”) and Gerry Spence representing the deceased defendant, Lee Oswald.

Mr. Bugliosi, in 2005, said it was his thought that the 1986 television docu-trial was “the closest thing to a trial that Lee Harvey Oswald ever had or will have”. And after having watched that trial many times since ‘86, I have to fully concur with Vince’s assessment as well.

This simulated trial was the springboard that led Bugliosi to write his titanic and all-encompassing book on the JFK assassination, “Reclaiming History”, which took Vince more than 20 years to research and write. The book was finally published in May 2007.

As mentioned previously, Ruth Paine was among the 21 witnesses who testified at the TV docu-trial, and Paine’s testimony is among the most riveting and enlightening during the five-hour program. Even after 23 years, the raw emotion of that day help in 1963 smooth resonates deeply within her. Ruth’s testimony is worth the label of this DVD status alone.

Another standout part of “On Trial” comes during the latter fraction of the program, when eminent conspiracy theorist and House Hold Committee on Assassinations [HSCA] member Dr. Cyril H. Wecht takes the sight stand to face off against Vince Bugliosi.

The sparks launch to hover when Bugliosi wants Dr. Wecht to account for what happened to the intact bullet that exited President Kennedy’s throat, heading downward and forward, directly toward Governor John Connally in the limousine.

Although Wecht agrees with Bugliosi that the bullet did, indeed, go completely through JFK’s body without deviating from its unusual flight path, Cyril also contends that the bullet did not strike Governor Connally at all. Instead, evidently it vanished into thin air without a heed. (Talk about a “magic bullet”.)

Other witnesses who effect in an appearance include (among a few others) : Charles Brehm, Buell Wesley Frazier, Dallas police officer Marrion Baker (who actually stopped Oswald and spoke to him inside the Texas School Book Depository within minutes of JFK’s assassination), Harold Norman, Johnny Brewer, Nelson Delgado, Edwin Lopez, Seth Kantor, Ted Callaway, Eugene Boone (the deputy sheriff who first discovered Oswald’s rifle on the sixth floor of the Depository), William Newman, Dr. Vincent Guinn, Dr. Charles Petty, and FBI agent James Hosty (who was aware of Oswald’s presence in Dallas weeks prior to 11/22/63) .

A corpulent DVD chapter/witness list is provided later in this review.

Vince Bugliosi puts on a strong prosecutor’s case against Oswald in “On Trial”, relying heavily, of course, on the wide array of physical and circumstantial evidence that easily shows Oswald to be guilty of not only killing President Kennedy, but also of murdering a second man on November 22, 1963 — Dallas policeman J.D. Tippit, who was shot four times by Oswald on 10th Street in the Dallas suburb of Oak Cliff, approximately 45 minutes after Kennedy was slain honest in front of Oswald’s workplace on Elm Street.

Gerry Spence, on the other hand, relies mainly on guesswork, unsupportable theories, and “what if” scenarios in his attempted (and anemic) defense of his “client”, Lee H. Oswald.

Mr. Spence is a suited showman, though, I must say that. He’s fun to search for in the courtroom. And so is Bugliosi, I might add. But Spence’s choice of witnesses to try and buttress his case for conspiracy was rather conventional, to say the least, with only 7 witnesses called to the stand (per the final 5-hour version of the trial seen on Showtime anyway), with one of those seven being the comical Tom Tilson.

Mr. Tilson, who was a Dallas police officer in 1963, tells the jury a crazy record about how Jack Ruby killed President Kennedy, with Tilson witnessing Ruby’s getaway fair after the assassination.

Not all of Tilson’s testimony was shown on TV, however. Here’s the text of a share of Mr. Tilson’s testimony that didn’t invent the final television crop (and it’s a howl too) . The following paragraph comes directly from Vincent Bugliosi’s outstanding and comprehensive book on the assassination, “Reclaiming History”:

“I asked Tilson why, if he believed the man he pursued was Ruby, didn’t he give Dallas homicide Ruby’s name when he called them with his information? Unbelievably, Tilson answered, ‘Well, I couldn’t. Somebody might go procure Jack Ruby and he might not have been guilty.’ (Translation: Never pursue any suspect to a crime because there’s always a chance the suspect might not be guilty.) ” — Vincent T. Bugliosi; Page 879 of “Reclaiming History: The Assassination Of President John F. Kennedy” (W.W. Norton & Company) (c.2007)

~LOL break~

In the extinguish, thankfully, the right evidence against the defendant is able to conquer the fanciful “what ifs” in the minds of the jurors, and after six hours of deliberations, Lee Harvey Oswald was declared “Guilty” at the conclusion of the mock trial.

Three of those jurors, however, weren’t convinced that there was no “conspiracy” to cancel the President; but all twelve of them were convinced beyond a reasonable doubt that Lee Oswald did, in fact, end John Kennedy.

========================

Here are a few random excerpts that can be found in “On Trial: Lee Harvey Oswald”:

“The evidence that will be presented at this trial will indicate that there is no substance to the persistent charge by these critics that Lee Harvey Oswald was honest a patsy, dwelling up to consume the tumble by some justify conspiracy. We examine the evidence — ALL of the evidence — to prove that Lee Harvey Oswald, acting alone, was responsible for the assassination of John F. Kennedy.” — VINCENT BUGLIOSI (Opening Statement)

—————-

VINCENT BUGLIOSI — “Mr. Frazier, is it lawful that you paid hardly any attention to this bag? ”

BUELL WESLEY FRAZIER — “That is honest.”

BUGLIOSI — “So the bag could have been protruding out in front of his [Oswald's] body, and you wouldn’t have been able to spy it, is that legal? ”

FRAZIER — “That is accurate.”

—————-

BUGLIOSI — “Did it sound to you like a rifle was being fired directly above you? ”

HAROLD NORMAN — “Yes sir.”

BUGLIOSI — “Was there any OTHER reason, in addition to the sound of the rifle, any other reason why you believed the shots were coming from directly above you? ”

NORMAN — “Yes sir.”

BUGLIOSI — “And what is that? ”

NORMAN — “Because I could hear the empty hulls–that’s what I call them–hit the floor; and I could hear the scoot action of the rifle being pushed attend and forward.”

BUGLIOSI — “You’re familiar with a bolt-action rifle? ”

NORMAN — “Yes sir.”

—————-

BUGLIOSI — “What you’re saying is that from your Neutron Activation Analysis, there may have been fifty people firing at President Kennedy that day….but if there were, they all missed….ONLY bullets fired from Oswald’s Carcano rifle hit the President. Is that true? ”

DR. VINCENT P. GUINN — “That’s a lawful statement; yes.”

—————-

BUGLIOSI — “Mr. Delgado, I absorb you testified before the Warren Commission, that on the rifle range Oswald was kind of a joke, a aesthetic stout joke.”

NELSON DELGADO [served with Oswald in the Marines] — “Yes, he was.” ….

BUGLIOSI — “Are you aware that in 1956, when Oswald first joined the Marines, and was going through Basic Training, he fired a 212 on the rifle range with an M-1 rifle, which made him a ’sharpshooter’ at that time — are you aware of that? ”

DELGADO — “Yes.”

BUGLIOSI — “Given the fact that Oswald was about to secure out of the Marines when he was in your unit, and the fact that he showed no interest in firing on the range — you don’t attribute his dreadful showing on the range to his being a unpleasant shot? ”

DELGADO — “No.”

BUGLIOSI — “He could have done better, you felt, if he tried? ”

DELGADO — “Certainly.”

—————-

BUGLIOSI — “While he [Lee Oswald] was at your home did he ask you for any curtain rods? ”

RUTH PAINE — “No, he didn’t.” ….

BUGLIOSI — “Now you, in fact, DID have some curtain rods in the garage, is that fair? ”

PAINE — “In the garage…yes.”

BUGLIOSI — “After the assassination, they were collected there.”

PAINE — “Yes, that’s legal.”

—————-

BUGLIOSI — “Seems to me, Doctor, that by well-known implication they are either hopelessly and utterly incompetent, or they deliberately suppressed the truth from the American public. Is that right? ”

DR. CYRIL WECHT — “There is a third alternative, which would be a hybrid to some extent of the deliberate suppression, sir…”

BUGLIOSI — “So, of the nine pathologists, Doctor Wecht, you’re the only one that had the honor and the integrity and the professional responsibility to state the truth to the American people! Is that suitable, Doctor!? ”

WECHT — “I’ll catch to achieve it this method….I’m the only one who had the courage to say that the King was nude, and had no clothes on….yes.”

BUGLIOSI — “No further questions.”

—————-

“So we KNOW, not objective beyond a reasonable doubt, we know beyond ALL doubt THAT OSWALD’S RIFLE WAS THE Cancel WEAPON. …. And it’s clear that Oswald carried that rifle into the building that day in that huge brown paper bag. It couldn’t be more certain. As far as Mr. Frazier’s testimony about Oswald carrying the bag under his armpit, he conceded he never paid finish attention to fair how Oswald was carrying that bag. He didn’t have any reason to.

“At this point if we had nothing else….nothing else….how considerable do you need? ….if we had NOTHING else….this would be enough to exhibit Oswald’s guilt beyond all REASONABLE doubt. But there’s so grand more. ….

“How, in fact, if Oswald were innocent, did they Come By Oswald, within forty-five minutes of the assassination, to assassinate Officer Tippit? Or was he framed for that kill too?! ….

“As surely as I am standing here, as surely as night follows day, Lee Harvey Oswald–acting alone–was responsible for the execute of President John F. Kennedy.” — VINCENT BUGLIOSI (Closing Arguments)

========================

ABOUT THE DVDs:

The video and audio quality on these DVDs is unprejudiced about as perfect as anybody could hope for. The report looks great, probably as superior as it did when the program first aired in 1986.

There are no audio commentaries or additional bonus features on either of the two discs in this DVD package. It would have been spacious if a commentary track by Vince Bugliosi could have been included, but it wasn’t. But I was surprised to catch that English subtitles have been included on these DVDs, which could be considered kind of a “mini bonus” of sorts.

Some more disc data:

2-Disc state.

Single-sided discs.

Video: Full-Frame (1.33:1) . In color.

Audio: Dolby Digital 2.0 Stereo.

Total Rush Time: 307 minutes.

Menus: Non-animated; looped music on the Main Menu.

Paper Enclosures: None.

========================

DVD CHAPTER LIST:

DISC ONE:

1. Introduction (With Edwin Newman)

2. Opening Statement: The Prosecution

3. Opening Statement: The Defense

4. Prosecution, 1st Witness: Buell Frazier

5. Prosecution, 2nd Witness: Charles Brehm

6. Prosecution, 3rd Witness: Harold Norman

7. Prosecution, 4th Witness: Eugene Boone

8. Prosecution, 5th Witness: Marrion Baker

9. Prosecution, 6th Witness: Ted Callaway

10. View Recall: Buell Frazier

11. Prosecution, 7th Witness: Jack Brewer

12. Prosecution, 8th Witness: Cecil Kirk

13. Prosecution, 9th Witness: Dr. Charles Petty

14. Prosecution, 10th Witness: Monty Lutz

15. Prosecution, 11th Witness: Dr. Vincent Guinn

16. Prosecution, 12th Witness: Lyndal Shaneyfelt

17. Prosecution, 13th Witness: Nelson Delgado

18. Prosecution, 14th Witness: Ruth Paine

DISC TWO:

1. Defense, 1st Witness: Bill Newman

2. Defense, 2nd Witness: Tom Tilson

3. Defense, 3rd Witness: Dr. Cyril Wecht

4. Defense, 4th Witness: Paul O’Connor

5. Defense, 5th Witness: James Hosty

6. Defense, 6th Witness: Edwin Lopez

7. Defense, 7th Witness: Seth Kantor

8. Final Summation: The Prosecution

9. Final Summation: The Defense

10. Final Rebuttal: The Prosecution

11. The Verdict

========================

A FINAL WORD:

Although it wasn’t a “actual” trial (quite obviously), “On Trial: Lee Harvey Oswald” did a nice job (at least partially) of filling a gap that had long been in need of filling — and that is: to prove the evidence against Lee Oswald in a courtroom setting, complete with the adversarial process of United States law on beefy indicate (i.e., the prosecution vs. the defense) .

Lee Harvey Oswald, posthumously, had his day in court. Some conspiracy theorists gain that the 1986 mock trial was nothing but a “sham”, a “farce”, a “fictional TV drama” with no accurate facts or truths being brought out in the courtroom.

I, however, would strongly disagree with such assertions regarding “On Trial”. While not binding as an sincere “Guilty” verdict in the case against Oswald, the fact remains that a lot of Staunch evidence, presented by Steady witnesses, came to light in that London courtroom.

And whether Oswald was alive or not to defend himself against this evidence, it is evidence that collected exists all the same. And it’s evidence that convicted Lee Harvey Oswald of a Presidential assassination in the eyes of twelve Dallas citizens in 1986. And, in my conception, that’s a nice gap in the world of “JFK Assassination Lore” to have filled in.

David Von Pein

October 2008

I purchased this DVD after reading the lengthy book, “Reclaiming History” by Vincent Bugliosi, the prosecutor in the mock trial presented here. Like many people I have always believed in the probable existence of a conspiracy in the JFK assassination, nevertheless, my mind was changed after reading the very lengthy Bugliosi book. Frankly, I was unaware that a mock trial had ever taken location until reading of it in this book. Learning that Gerry Spence had been the defense attorney, and being an attorney myself, I was very fervent to collect a chance to glimpse these two attorneys base swords in a courtroom.

Unfortunately from an attorney’s perspective, this DVD presentation of the mock trial was disappointing. From the very beginning I was scared at the degree to which Mr. Bugliosi persisted in leading his witnesses, seemingly with no objection from Mr. Spence. I realize that leading the witnesses in a mock trial for television might be simply a means of saving time, but when Mr. Spence did finally object, he did so with a statement that he did not usually object to his opponent leading witnesses during trial testimony. Somehow I found this statement difficult to gain.

Naturally the trial made spend of the Zapruder film. Unfortunately, however, the viewer was provided with no plan of the diagrams of the wounds or bullet paths that played so primary a role in determining whether Oswald acted alone or only as share of a conspiracy. I know that the jurors in the mock trial were made aware of those photos and diagrams since I saw some of the blow-ups of them in the courtroom. Perhaps if I had not seen them or already known of their existence, I would not have felt as cheated as a viewer by not having them presented as fraction of the trial on the DVD.

Lastly I must comment on the brevity of the closing arguments presented by both the prosecution and the defense in this DVD. Again, I notice that there are time constraints when presenting a trial in a televised setting; nevertheless, considering that this might have been “The Trial of the Century” shouldn’t we have expected the prosecutor to provide a worthy longer closing argument than was shown here?

Naturally Mr. Bugliosi considered his case to have been one of overwhelming evidence of guilt but wasn’t he taking a gargantuan risk by not spending more time referring to the evidence that had been presented to the jury than he did here? Of course had he done so, he would probably have mentioned witnesses and items of evidence that the jury had seen but which had not been section of what was seen by the DVD viewer. The jarring do that this might have had upon the viewer might have been lessened somewhat had there been a statement at the beginning of each disc reminding the viewer that they were seeing a presentation that had been edited from the worthy longer presentation that had been made before the mock jury.
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Watch The English Patient Movie Online

February 10th, 2010
Watch The English Patient Movie Online. Watch The English Patient Movie Online.

Movie Title: The English Patient
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The English Patient is available for streaming or downloading.

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This rare and beautiful film, based on a book that is felt as much as read, transcends the medium to become art. Painted on a vast desert canvas with deep rich oils, its beauty is felt as much as seen. This film will find your heart and remain there forever. If love had a face, it would look like this.

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Director Anthony Minghella’s screenplay shifts the center of Michael Ondaatje’s story slightly in order to capture on film the essence of his beautiful prose. Ondaatje’s novel is one of poetic beauty, a potrait of a rose beneath the water’s surface. The film brings that beautiful rose out of the water and into the sunlight. The book and the film are so deeply intertwined you can not watch this film without wanting to read the book, nor can you read the book without wanting to see the film. The story itself centers around three people either in love with, or haunted by ghosts they have loved and lost to war.

Juliette Binoche gives an Oscar winning performance as Hana, a kind nurse with a gentle spirit but a damaged heart. She latches onto the burned and charred body of a man known only as the English patient, and ends up caring for him in a shell ravaged Italian villa in Tuscany where she feeds him plums and reads to him. When a man named Caravaggio with scars of his own arrives, the mystery of who the English patient really is begins to unfold via flashbacks. In the present, Hana begins to let her heart heal when she falls in love with a Sikh who disarms bombs left by the Germans.

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It is the memories of the English patient, however, which are at the heart of this film. Ralph Fiennes gives a subtle performance as the introspective Almasy, part of an international expedition mapping an unending desert with both the romance, and the danger of the sea. Kristin Scott Thomas is wonderful as Katherine Clifton, the stunningly beautiful and enigmatic wife of a fellow mapper. An instant but unspoken attraction between she and Almasy finally becomes too unbearable to ignore and the affair that holds the key to the mystery surrounding the English patient begins.

This is one of the most romantic films ever made and is filled with the joy and anguish of love and war. It shows that while war may create logistical lines that can not be crossed, the heart has no boundaries. Anyone who has ever experienced a love of such emotional intensity and physical longing that love and need became one will understand the love affair of Katherine and Almasy.

Cinematographer John Seale has given this film a grace and beauty seldom seen on film. A haunting score full of mystery and romance from Gabriel Yard accompany scenes never to be forgotten, and will not be described here in case you have not yet seen them. Director Anthony Minghella explores the mystery of the desert, and the heart, which according to the “The Histories” by Herodotus, a book the English patient clings to, is an organ of fire.

If there is but one ounce of romance in your soul, you will love “The English Patient.” It is a well charted and romantic map of the human heart, as wide and treacherous as the unending desert. This will be one of your favorite films once you see it. I promise.

After the publication of Michael Ondaatje’s Booker-Prize-winning “English Patient,” conventional wisdom soon held that the novel, while a masterpiece of fiction, was entirely untransferable to any other medium: too intricately layered seemed its narrative structure; too significant its protagonists’ inner life; too rich its symbolism. Then along came Anthony Minghella, who reportedly read it in a single sitting and was so disoriented afterwards that he didn’t even remember where he was – but who called producer Paul Zaentz the very next morning and talked him into bringing the novel to the screen. Two major studios and several fights over the casting of key roles later, the result were an astonishing nine Oscars (Best Picture, Director – Anthony Minghella -, Supporting Actress – Juliette Binoche -, Cinematography, Editing, Art Direction, Costume Design, Original Score and Sound), as well as scores of other awards.

“The English Patient” is an epic tale of love and loss; of ownership, belonging and the bars erected thereto. It unites the stories of five people: Hungarian count Laszlo de Almasy (Ralph Fiennes), mistaken as English by a British Army medical unit in Italy after professing to have forgotten his identity; Hana (Juliette Binoche), Almasy’s Canadian nurse; Katherine Clifton (Kristin Scott Thomas), his erstwhile lover; Kip (Naveen Andrews), a Sikh sapper and Caravaggio (Willem Dafoe), an ex-spy and thief. All outsiders, they are struggling to come to terms with their lives: Almasy, on his deathbed, reflects back to his life as a North African explorer and his affair with Katherine; Hana believes herself cursed because everybody she cares for dies (in the movie her fiance and her best friend; in the novel her fiance, her father and her unborn baby), Katherine is taken to an all-male company of explorers in Cairo by her husband Geoffrey (Colin Firth), Kip, like Hana, is far away from home (the only Indian in an otherwise British and Italian environment) and Caravaggio lost his livelihood after his thumbs were cut off in captivity by the Germans, on a sadistic officer (Juergen Prochnow)’s orders.

Like the novel, the movie’s story largely unfolds in flashbacks: After Hana convinces her superiors to let her stay and nurse Almasy in an abandoned Tuscan villa, she and new arrival Caravaggio, who holds Almasy responsible for his fate, extract the details of his life in Africa and the truth about Katherine, Geoffrey and the events uniting him with the Cliftons and Caravaggio from Almasy in a series of conversations. But at the same time, the story is anchored in the present by Hana’s growing attachment to Kip, which shines a different light on the themes also driving Almasy and his relationship with Katherine. The film’s outstanding cast, which in key roles also includes Julian Wadham as Almasy’s friend Madox and Kevin Whately as Kip’s sergeant Hardy carries the story marvelously: Probably their biggest award loss(besides Fiennes’s and Scott Thomas’s Oscar and other “best lead” nominations and Minghella’s screenplay Oscar nomination) was the 1997 SAG ensemble award, which instead went to “The Birdcage.”

In his screenplay Minghella made several changes vis-a-vis the novel; the biggest of these doubtlessly a shift in focus from Hana, Caravaggio and Kip to Almasy and Katherine, and the fact that the film is much more explicit about Almasy’s identity than the novel. Both were wise choices: Hana’s inner demons in the novel are largely exactly that – *inner* demons, moreover, substantially grounded in the past and thus even more difficult to portray than Almasy’s and Katherine’s. Similarly, once the focus had moved to the latter couple, Kip’s back story would have extended the movie without significantly advancing it; and the same is true for the intersections between Caravaggio’s path and that of Hana’s father. Secondly, mistaken *national* identity is overall more central to Almasy’s character than identity as such; so the novel’s intricate mystery about his persona might well have proven unnecessarily distracting in the movie’s context. Indeed, once Almasy had become the story’s greatest focus, much of its symbolism virtually even required that there be no real doubt about his identity.

But in all core respects, Minghella remained faithful to Ondaatje’s novel; particularly regarding its profoundly impressionistic imagery, as shown, for example, in the curves formed by the Northern African desert’s endless sand dunes, which in John Seale’s magnificent and justly awardwinning cinematography resemble those of a woman’s body as much as they do in Ondaatje’s language, thus uniting Almasy’s two greatest loves in a single symbol.

Doubtlessly the most important image is that of maps: Guides to unknown places like those drawn by Almasy and his friends during their explorations, but also tools of ownership like the cartography of Northern Africa made possible by Geoffrey Clifton’s photos, and ultimately symbols of betrayal, as Almasy surrenders his maps to the Germans in exchange for a plane after he feels deserted by the British. And while Kip, who spends all day searching for bombs but wants to be found at night, guides Hana to himself by a series of tiny signposts in the form of oil lamps – but still never tries to expect her, in order not to get too much attached to her – Almasy, the perpetual loner who declares that he hates ownership more than anything else, gets so attached to Katherine that he claims her suprasternal notch as his exclusive property and later refers to her as his wife, which due to her marriage to Geoffrey she couldn’t truly be in life and could only symbolically become in death. – The final word on maps, belonging and ownership, however, is part of Katherine’s legacy to Almasy (and I still prefer the novel’s language here):

“I believe in such cartography – to be marked by nature, not just label ourselves on a map like the names of rich men and women on buildings. We are communal histories, communal books. … All I desired was to walk upon such an earth that had no maps.”

Also recommended:

The English Patient

Secret Life of Laszlo Almasy

Wind, Sand and Stars

Night Flight

Anil’s Ghost: A Novel

The End of the Affair

Up at the Villa

Chocolat (Miramax Collector’s Series)

The Histories (Penguin Classics)
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Fly Jefferson Airplane Movie Streaming

February 6th, 2010
Fly Jefferson Airplane Movie Streaming. Fly Jefferson Airplane Movie Streaming.

Product: Fly Jefferson Airplane
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“Flee Jefferson Airplane” is a musical documentary recommended easily to fans of the beloved San Francisco acid-rock group. Vintage performance footage of their best-known songs are presented in surprisingly-clean footage with suited sound fidelity and in their entirety–rare for most “nostalgia” videos. The performances span the classic “hits” of the 1966-1970 era: “It’s No Secret”, “White Rabbit”, “Somebody To Fancy”, “Plastic Fabulous Lover” as well as lesser-known gems “Martha” and the two “Pooneil” songs.

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If one is looking for “dirty dish”, there is no sniping here. The archaic band members think nostalgically, warmly and philosophically on their collective achievements instead of the often-documented acrimony and in-fighting. They have, it seems, grown up. They are all, Marty Balin points out with some satisfaction, Quiet ALIVE. Perhaps no other major rock group of the era can boast such a claim. It is, initially, monstrous to eye these sexagenarians and reconcile them with the young and significant performers we examine in the music clips.

As a documentary, it plays it safe: it avoids a valuable perspective on the music, the albums, the band members or live performances. It is, in some ways akin to a souvenir of “The Summer of Adore”. It does, however, go into enough intriguing detail (through interviews with all the band member interspersed throughout) to give the uninitiated or casual fan a reasonably-broad and informative sight at the group’s history and accomplishments. Bonus features include more interviews and a photo gallery.

I guess I developed my appreciation for the Jefferson Airplane during my college years (1977-1981) . I’m no child of the sixties, but my uncle went to Woodstock, and like many college students I learned of the magical powers of sure hallucinogenic substances. There is some ineffable quality in Jefferson Airplane’s music that lends itself well to the psychedelic experience, and anyone who knows where I’m coming from ought to win this DVD. Apparently produced under the auspices of Airplane guitarist Jorma Kaukonen, this disc captures some of the magic of the San Francisco music scene, circa 1965-1972, and the pivotal role Jefferson Airplane played therein. That the members of the band are unexcited alive and mild relatively LUCID is nothing short of fantastic, but if you are looking for dish, you won’t fetch powerful here; there’s nothing in the interviews that hints of the acrimony that sometimes flared during the band’s heyday. But the musical performances: WOW! Where did they dig up some of these films? And how did they maintain them so well? Particularly intriguing for me is the performance of “It’s No Secret,” featuring the band’s FIRST female vocalist, Signe Anderson. Her presence is altogether different from that of her successor, Grace Slick, but there’s something about the quality of her jabber that always intrigued me. The performance is a heady mixture of exultant vocals, tickled dancing in the audience, and of course those very trippy liquid light shows that Ms. Anderson’s first husband was apparently responsible for. I don’t reflect you can overestimate the archival value of “Skim Jefferson Airplane.” So rupture out the stash, slap this disc on the DVD player, and retract a dinky Stagger attend in time ….
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